台中世界花卉博览会发现馆，台湾 / 卡尔吉特

项目背景

项目概况项目背景项目概况感谢 卡尔吉特国际股份有限公司对分享。

年，“生物多样性之父”爱德华威尔森提出一个倡议，他呼吁人类把地表一半的面积还给大自然，而藉由保全地球的生物多样性，世界上的各物种包含人类才不会招致灭绝。

设计策略

设计理念设计策略设计理念爱德华“半个地球”的理念，有两个重点：一是我们应该有所意识人类不是地球唯一的主宰者和住民，二是我们应该思考如何保留更多的空间，给地球上的其他住民，也就是生态圈的其他动植物。

视频导览，video tour 发现馆“在台中看见半个地球”以保留半个地球给其他生命的倡议作为主题，重新诠释西部大川大甲溪的生态景观。

空间体验

空间特色空间体验空间特色透过人文、工艺、装置艺术、壁画、雕塑与新媒体等不同媒材的创作方式，在有限的空间中，将台中大甲溪低至高海拔的宽阔地景转译成为一件件作品，述说栖息在这个生态环境的原生植物与动物的前世今生。

视频讲解，景的设定由低至高走过，千片虹彩折射出台中出海口的高美湿地绝景，锥形玻璃、手织稻顶与镜面装置交错形塑低海拔的农村印象与里山环境，及至多媒体与实物还原中高海拔的山脉林相与溪流。

项目介绍

建筑形态建筑特色建筑形态单元的最后，经等候区的水墨LED数字科技装置，到达环形剧场的互动设计展演，结合地面上的光粒子体感互动与墙面上的巨型投影，从原生动物如弹涂鱼、石虎与樱花钩吻鲑等生物视角，再现大甲溪的垂直生态以及台湾的生物多样性。

从0m出海口到3886m雪山山脉，九个展区独立且风格迥异，却能彼此呼应串联，如电影故事般带动观众的五感与情绪体验。

项目介绍

材料运用材料表达材料运用概念图解， The of the is from low to high elevation. of of prism the in the of the Taichung. The glass, the hand-woven roof made of rice straw and the are to shape the low- rural and the environment. The and and in and high areas. At the end of the section, it the image of water-ink by LED of the area to the at the theater, the of the light on the and the giant on the wall. animals, such as mudskippers, cats, and salmons, are into the to the of Dajia River and the of Taiwan.From the (0m) to the snow range (3886m), the nine areas are and with styles, but also a whole which is like a movie story that takes the audience’s in scenes. 0-100m海河交界：展现以海天一景、如梦似幻的夕照霞光闻名全球的高美湿地，the of the a world- scene where there is a union ocean and sky as well as a dream-like view of the 空以上千片虹彩，折射出熠熠晨昏与粼粼波光，the upper half of the area is with of of that light, of and as well as light on the of the water 100-500m水声川流：以玻璃的清透、水流动的声响传递水奔向母亲之河大甲溪之意象，100-500m the sound and flow of streams: the of glass and the sound of water the scene of the “ River”: DaJia 形玻璃敲击的声音彷佛雨滴落下，在天上形成的交错管线如同水圳的各渠道与支流，the of cone- glass the sound of raindrops, the lines in the sky the flow and of the 100-500m土川之圳：圳，由土与川组成的水文建设，是人与溪河共处的桥梁， 100-500m how land and water into the watercourse: the acts as a lifeline. land and water the which a and the 示先民以老智慧取土造圳，向土地借水耕作、丰衣足食的故事，the story of how our used their to the from Earth – by water from land, they were able to their with ample food and 500-1000m里山石虎：以镜面装置，反映出人与自然密不可分的关系,500-1000m and Cats: the is with of to the and 1000-1500m生态廊道：纸浆雕塑结合毛料产生多层次的视觉想象，1000-1500m of ecology: from the of paper pulp and fur, these add a for 1500-3500m涧溪孓遗：以多媒体技术营造出奇幻水下场域，1500-3500m of Ice Age: multi-media a site, dive to the of Cijia Bay 1500-3500m巍峨之森：以符合生态的人工疏伐林取得台湾杉，1500-3500m the forest:a using to Cryptomeria-like 过地面的落叶松针与温度的变化让观众以身体真切地感受台湾高山的原始样貌，the the of the in the use of pine and “回”大甲溪之源：结合现代水墨、数字科技、LED 光与视觉美感互动设计的技术呈现大甲溪上游的形貌，“Introspection” on the of DaJia River: by ink painting, technology, and LED with designs, the team that the DaJia River 0-3886m新的视野：以剧场的形式与观众互动，细致粒子组成的画面与大片场景流动的震撼感表现出台湾以生态为主角的另一面，0-3886m a new vision:a with the audience, the fine- and the sense of shock from the of the scene the that is the main of 展设计团队与台湾新锐艺术创作者合作，以各种崭新诠释成功突破空间障碍，让观众仿佛行走在真正的自然中又感受到地景的艺术设计。

而这些创作都呼应一个主题，让观众看见地球上有一半以上的空间，都属于自然生态的环境，而人类应该与半个地球的生态圈和谐共处。